Category Archives: Event

DWeb and Digital Rights: A Report Back from RightsCon in Taipei

Senior Organizer, mai ishikawa sutton, in front of the RightsCon25 sign

In late February, members of the DWeb Core Team and the DWeb community were in Taipei to attend the 13th edition of RightsCon, the largest global summit on human rights in the digital age. Namely, we were there to connect with the digital rights community. We wanted to participate in an event where thousands of people travel from around the world to discuss the current and future state of the internet, and to meet others who were involved in building decentralized, distributed, and peer-to-peer network technologies.

Thus we took the opportunity to organize activities before and during the conference: a local networking workshop co-organized with g0v, sessions on both DWeb organizing and how fiction can better depict surveillance technologies, a DWeb dinner, as well as a final day of tabling in the halls of the venue.

DWeb x g0v Local Network Workshop 

Michael Suantak, Cheng of g0v, and mai standing in front of National Taipei University of Technology where the community network workshop took place

We partnered with g0v, the leading decentralized civic technology community in Taiwan, to co-organize an event focused on local community networks at the National Taipei University of Technology. When we met with them several months ago, g0v leaders told us that they wanted to connect with those building and stewarding community networks. Such networks are controlled directly by communities, especially in places where internet access is non-existent or undermined, in order to maintain local network services and ensure internet connections are available or affordable. In Taiwan, these types of decentralized network infrastructures are a potential lifeline, as internet shutdowns in the country remain an ever-present threat.

DWeb standing banner in front of the classroom where the workshop took place

Our event, “Building Resilient Connections: A Hands-on Local Network Workshop” dove into the core concepts of community networks, their technical setups, and the ways they’re making a difference in under-served communities worldwide.

We had a great turnout: attended by more than 35 people. Since we had a survey built into our registration form, we knew what topics the participants were interested in learning about and tailored the workshop to them. These included community networks’ key challenges and opportunities, technical overview and tools, and issues surrounding their ethics, privacy and security. 

Cheng introducing g0v at the community network workshop

Notably, we had community network leaders from Myanmar, Taiwan, and Indonesia present case studies on their community networks, from the technologies they use to the ways they govern and manage the networks. We were lucky to be able to bring Michael Suantak to lead the presentations and the workshop on locally-hosted services. He was a 2024 DWeb Fellow, but for visa reasons he was not able to attend DWeb Camp in person, so we were happy to learn from him in person! 

Michael Suantak giving a presentation on local community networks

Sean of Mesh TWC also gave a presentation and workshop, as well as Gustaff H. Iskandar of Common Room who joined us from Indonesia. The sessions were not recorded, but you can view their notes and slides below (note: these are Google docs and Google slides).

Presentation by Michael Suantak

Presentation by Gustaff H. Iskandar (Common Room)

Presentation by Sean (Mesh TWC)

Slide from a presentation by Gustaff of Common Room on community networks

We ended with a few hands-on activities with Meshtastic LoRa devices and local-first services, as well as a discussion on the role of community networks in digital literacy and empowerment.

Group photo of the community networks workshop who stayed until the end!

Attending RightsCon 2025

RightsCon brings over 3,000 people from all corners of the globe to discuss the most pressing concerns facing people’s digital rights today. At a sprawling convention center in Taipei, hundreds of sessions took place across the last week of February, on issues related to free expression, privacy, and innovation and creativity online — specifically surrounding organizing tactics, policy advocacy, and sustaining movements in the face of rising authoritarianism worldwide. There was also notable interest in decentralized web solutions to these crises, with sessions led by DWeb Camp attendees, the Social Web Foundation, Equalitie, Project Liberty, Open Future, WITNESS, Open Archive, and Creative Commons.

RightsCon25 Opening Ceremony

Round Table DWeb Workshop

We led a workshop discussion on strategies for decentralized, transnational organizing. Approximately 25 people attended and came to learn about the DWeb community. We shared our approach to building trust and solidarity between projects and individuals working to create a decentralized web that is usable, secure, and people-centric, all in spite of the exploitative and profit-driven status quo of the Internet. We spent the hour strategizing effective tactics for transnational organizing. Namely, how to use in-person and online gatherings to organize, share resources, and build enduring connections to strengthen our efforts.

Stop Surveillance Copaganda Workshops

Lia Holland of Fight for the Future and I co-facilitated three workshops on the Stop Surveillance Copaganda project, a partnership between Fight For the Future and COMPOST Magazine. The discussions centered around how we better support fiction that depicts futures and alternate realities where privacy is a universally respected human right. Attendees shared useful resources and analyses of surveillance tech’s impacts, as well as real-world tactics to resist illegal surveillance. Everything we gleaned from that week will go into a toolkit for authors and artists to more justly depict surveillance technologies. 

Stop Surveillance Copaganda Session at RightsCon25

RightsCon Booth 

We signed up to table at RightsCon in order to introduce ourselves to the digital rights community and meet those working to build alternative, decentralized technologies. Dozens of new and familiar faces stopped by to grab our stickers and zines, and to learn about what the DWeb community has been doing to build our movement.

Senior Organizer, mai, tabling at RightsCon25

DWebbers Dinner

Mid-conference, we organized a DWeb hot pot dinner for those of us in town for the event!

Group photo of DWebbers having hot pot!

Attending RightsCon this year felt incredibly productive and worthwhile. We’ll likely be there at the next one — in order to build better webs and learn from the past, it’s crucial that we connect with those directly confronting the pervasive challenges of the mainstream internet. That has always been our north star: to build decentralized technologies that help solve real world problems, not just in the future, but now.

DWebbers & friends at a Buddhist temple in Taipei

A Red-Carpet Affair: Celebrating Public Domain Day 2025 in 1929 Hollywood Style

Lights, camera, preservation! On a star-studded evening at the Internet Archive, we rolled out the red carpet to honor the creative works from 1929 and the sound recordings from 1924 that entered the public domain in 2025. And what better way to celebrate than with a glamorous, Oscar-inspired soirée?

Guests arrived in true 1920s fashion, riding in a vintage convertible before stepping onto the red carpet, where they were met by the spirited Raining Chainsaws street theater troupe, who transformed into a fleet of eager, old-time paparazzi—flashing cameras, barking questions, and adding a touch of whimsy and Hollywood magic to the night.

📸 Check out photos from the red carpet!

Inside the Internet Archive, attendees sipped on French 75s and Old-Fashioneds, classic cocktails that transported us back to the final, glittering moments of the Roaring Twenties. The theme of the night? 1929—the year of the very first Academy Awards—and we honored this cinematic milestone with an evening of film, history, and remixing of the past.

🎞 Lecture by George Evelyn on Disney’s The Skeleton Dance
Animation historian George Evelyn enlightened the audience with a viewing of The Skeleton Dance, the first of Disney’s Silly Symphonies. With its pioneering use of synchronized sound and animation, the 1929 short was a perfect reminder of how creativity from the past continues to shape the present.

🎬 Public Domain Film Remix Contest Screening
What happens when today’s creators remix yesterday’s masterpieces? Our Public Domain Film Remix Contest showcased the most inventive reinterpretations of public domain classics, where old Hollywood met modern storytelling in unexpected and thrilling ways. View all the winners, honorable mentions and submissions from this year’s contest.

👀 Watch the livestream of the night’s festivities

As the evening came to a close, guests toasted to the future of open culture, celebrating the power of preservation, creativity, and the public domain. Thank you to everyone who joined us for this dazzling night of history, cinema, and community!

Virtual Public Domain Day Celebrates 1929 Creative Works & 1924 Sound Recordings

On January 22, hundreds of people from all over the world gathered together for Singin’ in the Public Domain, a virtual celebration of the works that moved into the public domain in 2025. The event was co-hosted by Internet Archive and Library Futures.

Watch:

Speakers include (in order of appearance):

  • Natalia Paruz (The Saw Lady), musician
  • Lila Bailey, Internet Archive
  • Jennie Rose Halperin, Internet Archive
  • Sean Dudley, Internet Archive
  • Jennifer Jenkins, Center for the Study of the Public Domain
  • Vivian Li, Innovator in Residence, Library of Congress
  • Tim Findlen (Roochie Toochie and the Ragtime Shepherd Kings), musician
  • Kathleen DeLaurenti, Peabody Institute of the Johns Hopkins University’s Arthur Friedheim Music Library
  • Colin Hancock (The Joymakers), musician
  • Ayun Halliday, Necromancers of the Public Domain
  • Simon Close, WYNC & Public Song Project
  • Dorothy Berry, Smithsonian National Museum of African American History and Culture
  • Theo Unkrich, Internet Archive

WEDNESDAY: Celebrate Public Domain Day 2025 at the Internet Archive

Lights, camera, action! It’s time to roll out the red carpet and celebrate Public Domain Day, Oscar-style!

On Wednesday, we’re honoring all the legendary works that have entered the public domain in 2025. And what better way to do it than with a glamorous, Hollywood-inspired twist?

A recording of the live event can be viewed here:
https://archive.org/details/public-domain-day-2025-in-person-event-at-internet-archive-headquarters

Public Domain Day Celebration at the Internet Archive
⏰ 6pm – 10pm
📍 Internet Archive, 300 Funston Avenue, San Francisco
🎟️ $15 – REGISTER NOW. No one will be turned away for lack of funds.

This year, we’re honoring 1929 — the year of the very first Academy Awards, held at the historic Roosevelt Hotel in Hollywood, CA. So put on your finest attire and get ready for an Oscar Award winning evening.

Sip on a classic French 75 or an Old-Fashioned as we savor the final moments of the Roaring Twenties.

Lecture by George Evelyn on Disney’s Silly Symphonies – “The Skeleton Dance”
Join us for an insightful lecture by Animation Director George Evelyn as he explores Disney’s groundbreaking 1929 short, The Skeleton Dance, the first installment of the iconic Silly Symphonies series. Discover how this eerie, yet charming animation set the stage for the whimsical, music-driven cartoons we know and love today!

Screening of Our Film Mash-Up Winners
Stick around for the Film Mash-Up competition winners, showcasing creative, mind-blowing reinterpretations of classic public domain works. From quirky edits to unique remixes, you won’t want to miss these inventive new takes on timeless films!

Don’t miss this dazzling night of history, cinema, and celebration!

If you’re unable to attend in person, we will also be hosting a virtual celebration on January 22nd at 10am PT.

Public Domain Day Celebration at the Internet Archive
⏰ 6pm – 10pm
📍 Internet Archive, 300 Funston Avenue, San Francisco
🎟️ $15 – REGISTER NOW. No one will be turned away for lack of funds.

LOST LANDSCAPES OF SAN FRANCISCO — Streets, People and Play: The Drama of Daily Life

January 13 @ 6:30pm – 9pm
Internet Archive, 300 Funston Avenue, San Francisco
Buy Tickets

This year’s LOST LANDSCAPES OF SAN FRANCISCO (the 19th!) casts an archival gaze on the lives of San Franciscans and Bay residents. Drawn from over 400 newly scanned archival films plus a few old favorites, this year’s film revels in the textures and activities of everyday life, labor and celebration, replaying known and unknown historical moments, daylighting lost and found infrastructures, revealing the scars of settlement and pointing to more hopeful futures. Highlights include intimate views of the Mission District, recently discovered BART films, coverage of Western Addition redevelopment and displacement, and much more. Almost all of the footage has not been shown before.

As always, the audience makes the soundtrack. Please come prepared to raise your voices; identify places, people and events; and ask questions of others in the audience.

By attending, you’ll directly contribute to supporting the Internet Archive. Rick Prelinger will be presenting as per usual. Don’t miss this opportunity to be a part of truly special evening!

Doors open at 6:30 pm. Film starts at 7:30 PM

No one will be turned away due to lack of funds!

January 13 @ 6:30pm – 9pm
Internet Archive, 300 Funston Avenue, San Francisco
Buy Tickets

Celebrate the Public Domain with the Internet Archive

On January 1, 2025, creative works from 1929 and sound recordings from 1924 will enter the public domain in the US.

1929 marked the last gasp of the roaring 20s and ushered in the Great Depression, a major economic crisis that would span the next 12 years. One thing we can see nearly a century later is that, in good times and bad, human creativity, knowledge, and culture persist. That year, Virginia Woolfe published her groundbreaking essay, “A Room of One’s Own,” advocating for female freedom of expression. The Museum of Modern Art (MoMA) opened in New York City, featuring the works of Van Gough, Cezanne, and Gauguin. Major movie studios put out not one, but two musicals starring all Black casts: “Halleluja” and “Hearts of Dixie.” Disney continued the Mickey Mouse trend with a dozen new animated shorts. And of course famous songs like “Puttin’ on the Ritz” and “Singin’ in the Rain” topped the charts.

Celebrate the public domain with us:

1. Creators: Enter the Public Domain Film Remix Contest

We invite filmmakers and artists of all skill levels to celebrate the public domain by creating and uploading 2–3 minute short films to the Internet Archive! Top entries will be awarded prizes up to $1,500. Contest details.

2. Virtual Celebration: January 22nd @ 10am PT

Join us on January 22 to get “that glorious feeling” of singin’ in the public domain! We’ll have an amazing virtual lineup of academics, librarians, musicians, artists and advocates coming together to celebrate this new class of works being free for everyone to enjoy. Register now!

3. In-Person Celebration: January 22nd @ 6pm PT

Please join us at our headquarters in San Francisco for a Celebration of the Public Domain! This year, we’re honoring 1929 — the year of the very first Academy Awards, held at the historic Roosevelt Hotel in Hollywood, CA. Put on your finest attire and get ready for an award-worthy evening. Register now!

4. Explore the public domain

Check out our recent post for links to the newly opened public domain resources at the Internet Archive.

Additional resources

  • Learn more about what’s moving into the public domain in 2025 from Jennifer Jenkins and James Boyle of Duke Law’s Center for the Study of the Public Domain.
  • Public Domain Review has a festive countdown to 2025.
  • Interested in what’s happening with the public domain in Europe? Communia is hosting a one-day event on January 9 in Brussels.

DWeb: Let’s Look Ahead to Another Big Year

Looking back at 2024 and a summary of ideas for what comes next

This year marked the eighth year of DWeb – since 2016 scores of us have gathered in the redwoods, in the halls of Greco-Roman buildings, on the beaches of California and Brazil, in hackerspaces, on the Playa — and online, spanning international time zones, languages, expertise, and interests. Over these years, DWeb has become a dynamic community of dreamers and builders creating alternatives to the dominant, centralized and corporate internet. We want to build a web that manifests trust, human agency, mutual respect, and ecological awareness. And DWeb is a space for thoughtful conversation and finding the collaborators and resources to bring decentralized, distributed, and local-first networks to life. 

DWeb Camp 2024

By many accounts (and feedback survey responses), DWeb Camp 2024 was our most successful camp yet. It was our fourth Camp, with more than 520 people flying from all corners of the world to meet in the redwoods of Navarro, California. We held our first Demo Night Market, where 32 projects showcased their working code, allowing campers to try out and provide meaningful feedback to builders. We held over 420 sessions and workshops over five days and this year we brought 25 DWeb Fellows from 21 countries across Europe, North America, South America, East Asia, South Asia, West Africa, East Africa, and the Middle East.

You can read some of the reflections about this year’s camp here, here, and here. While we are taking a break from holding Camp in 2025, stay tuned for details on DWeb Camp 2026.

As we close out 2024, let’s look back at the other highlights of the year.

DWeb 2024 Highlights

Virtual Meetups — We held eight virtual meetups this year, with topics covering governance, cryptography, AI, project funding, and more. You can check out all of the recordings of our past meetups.

Local Node Meetups — Across our local Nodes, there were over 12 in-person meetups in San Francisco, Los Angeles, Seattle, Vancouver, Hanoi, Buenos Aires, Burning Man Playa. See more below on ways we’re planning to grow the DWeb Node network next year!

What were some other notable happenings in our ecosystem?

DWeb For Creators CourseGray Area designed and offered its first online course focused on DWeb history, principles, and practice in the spring. If you missed it, you can find all the open source content and also take the course again this coming spring 2025.

Bluesky’s Massive User Growth — Many of the core team of leaders and developers at Bluesky have been a part of the DWeb community. The network relies on content-addressed content and is working towards making “credible exit” possible, especially in light of the major exodus from X-Twitter. So while it’s debatable whether it’s truly a decentralized social network from a technological perspective, we cannot help but feel like this is a big step forward for the DWeb movement (note: the back and forth written exchange between Christine Lemmer-Webber and Bryan Newbold is worth checking out ICYMI).

We’re sure we missed some other highlights from 2024 — tag us on our social networks so we can boost your successes from the year on Bluesky (@dweb.bsky.social) and on the Fediverse (@[email protected])!

What’s Next for DWeb in 2025

When the DWeb organizing team decided to take a year off from holding Camp in California, a big part of our decision was weighed by our desire to work towards decentralizing the movement. Our vision in 2025 is to support the growth of DWeb nodes around the world, empowering and aiding them in hosting DWeb gatherings big and small. Rather than focus on one big convening in Northern California, we will be supporting smaller regional gatherings in Vancouver, Taiwan, Healdsburg, and Brazil. 

But we want to hear directly from the DWeb community and understand what you want to see happen in the coming year. So at last month’s virtual DWeb meetup, we asked: how could DWeb better support our community’s goals in building a decentralized/distributed Web? And how do we each want to contribute to help support this network? 

One of the walking paths across the river at Camp Navarro.
Photo: Navarro Path © 2024 by mai ishikawa sutton is licensed under CC BY-SA 4.0

Following a short presentation from core organizers about the events and projects we’d like to pursue next year, we opened the floor for an open discussion. Following that, the 60 or so of us present divided into small groups and discussed what we’d like to see next for DWeb. You can find the recording of the whole meetup here. 

Here are the highlights of what we heard:

Let’s Walk Our Talk

Many expressed the desire for us to do more to highlight the projects and best practices for replacing the “centralized, attention hijacking, surveillance technology” of the dominant internet with “decentralized technology that supports human values including autonomy, personal data protection, privacy, etc.”

People felt that we should find ways to encourage participatory design by building bridges to communities to better map needs to solutions, and solutions to needs. A key to this (repeated by many across) was that people find it really helpful to receive feedback on their projects. They want to understand how their tools can work better, and how they can get collaborators and financial support. One of the main ways people find value in the DWeb community is to allow people to share their projects to make them more usable and viable. Offerings by people included holding branding / UX design workshops and working with the DWeb Principles to make them more robust and actualized.

DWeb has a robust website with resources on DWeb technologies and analysis, but it currently needs some brushing up and updating. One person desired specific resources for counter-surveillance measures for high-risk communities including indigenous and queer communities. These types of resources would be critical in showing how DWeb can be immediately useful for those who are in urgent need of alternatives. 

DWeb Project Directory

An oft-repeated desire that we’ve heard is for a DWeb Project Directory, where people can find aligned projects, affinity groups, and potential collaborators. People want to know where the DWebbers are! 

Such a curated directory could map individual people’s skills, interests, and locations for people to interact and post topics/needs/projects for them to find each other. It was particularly noted that it should include non-developers, with people skilled in communications, UX design, organizational and governance design, fundraising, community management and more. The directory could be shaped by select community members, and also be used to shape an ecosystem map to visualize the domains of decentralization happening across the network stack. 

Nodes Network and In-Person Gatherings

There were calls for decentralizing the technological infrastructure of DWeb. One of the main ways we hope to achieve this is by growing our Nodes network – where people within a region can meet in-person and have regular local get-togethers. We’ve heard that a toolkit and support system would be helpful for those wanting to get their local Node off the ground. One person said that they wanted to help set up local nodes around the DWeb Principles “that go beyond the technology layers to involve social governance and way[s] of living / growing.”

On that note, there’s a growing contingent who would like to see a kind of DWeb residency, where people would go to a place for a period of time to work on a project together and co-create the experience, much like Camp. There have been Hacker Houses that have done something similar, and they tend to meet alongside related events such as Ethereum DevCon. There are a few folks in our midst who are already (or are interested in) experimenting with co-living. They said that they’d like to try a similar model with the residency using a benefactor model, where people could live somewhere for a certain period, with all their expenses paid, so they could collaborate in person on building DWeb infrastructure. This would also entail building relationships with people on the ground who live there, who want and need the kinds of tools that would be created through the residency. 

Many would also like to see a DWeb Calendar, which people could add events to and subscribe to directly with their calendar app of choice. One person said “it would be incredibly supportive for dweb as an attractor of brilliance and credibility to endorse distributed events who apply for said endorsement.”

Virtual Gatherings and Communications

DWebbers want to continue to see virtual meetups happen throughout the year. Some suggested that the virtual meetups can be more experimental, with meet and greets where people can be invited to share asks and offers. But a few people suggested that in lieu of meeting at Camp, there could be a big virtual summit that takes place to bring people together virtually for a few days — much like DecentSocial from a few years back.  

We could also do a better job of providing ongoing news, updates, and publications across the DWeb ecosystem. Many echoed the fact that they wanted to make sure that they didn’t miss any big updates. So people suggested a DWeb News Digest – where people could also describe their needs, request specific help, post or offer jobs and opportunities. It was noted that it would help to establish a habit amongst the community to see this as a kind of clearinghouse for DWeb news. This would likely have to interface with the Directory mentioned above. 

And lastly, the topic of storytelling came up across the groups. Those new to the space don’t quite understand what DWeb is and its community’s values and approaches. DWeb regulars note that they continue to participate in DWeb because it energizes both the “heart and the head” and that they’ve come to know the community for being “rigorous intellectually and generous in openness”. A regular DWeb Blog with writings and media could help better reflect how our values can be embodied in the technologies that we build.  

*~*~*~*~*

With all the challenges in the world and a shifting landscape in the U.S., we don’t know what’s in store for us in 2025. But as the DWeb Organizing Team, we truly look forward to continuing the conversation and maybe even seeing you at some of the events planned in the new year. 

Upwards and onwards!

With gratitude,

DWeb Core Organizing Team

Revisit a Year of Thought-Provoking Book Talks with Internet Archive and Authors Alliance

In 2024, the Internet Archive and Authors Alliance brought together an array of authors, scholars and thought leaders to explore critical issues at the intersection of technology, culture and information science. From the labor implications of artificial intelligence in Joanne McNeil’s Wrong Way to the evolving role of fair use in Patricia Aufderheide and Peter Jaszi’s landmark publication, Reclaiming Fair Use, these conversations covered topics shaping our information-enabled future. Here are highlights from the year’s events, offering session recordings for anyone eager to revisit—or discover for the first time—the compelling ideas shared by these influential voices.


February 29: Wrong Way

Author Joanne McNeil in conversation with author Sarah Jaffe.

McNeil & Jaffe discuss the labor implications of artificial intelligence for our first book talk about a work of fiction.

For years, Teresa has passed from one job to the next, settling into long stretches of time, struggling to build her career in any field or unstick herself from an endless cycle of labor. The dreaded move from one gig to another is starting to feel unbearable. When a recruiter connects her with a contract position at AllOver, it appears to check all her prerequisites for a “good” job. It’s a fintech corporation with progressive hiring policies and a social justice-minded mission statement. Their new service for premium members: a functional fleet of driverless cars. The future of transportation. As her new-hire orientation reveals, the distance between AllOver’s claims and its actions is wide, but the lure of financial stability and a flexible schedule is enough to keep Teresa driving forward.

Session recording: https://archive.org/details/wrong-way 


March 27: Replay

Author and game designer Jordan Mechner in conversation with historian Chris Kohler.

Jordan Mechner (creator of “Prince of Persia”) shares his story as a pioneer in the fast-growing video game industry from the 1980s to today, and how his family’s back story as refugees from war-torn Europe led to his own multifaceted 4-decade creative career. Interweaving of past and present, family transmission, exile and renewal are at the heart of his award-winning graphic novel “Replay: Memoir of an Uprooted Family.”

Session recording: https://archive.org/details/replay-jordan-mechner 


April 3: Unlocking the Digital Age

Authors Andrea I. Copland and Kathleen DeLaurenti in conversation with musician and educator Kyoko Kitamura, facilitated by music librarian Matthew Vest.

Based on coursework developed at the Peabody Conservatory, Unlocking the Digital Age: The Musician’s Guide to Research, Copyright, and Publishing by Andrea I. Copland and Kathleen DeLaurenti serves as a crucial resource for early career musicians navigating the complexities of the digital era. This guide bridges the gap between creative practice and scholarly research, empowering musicians to confidently share and protect their work as they expand their performing lives beyond the concert stage as citizen artists. It offers a plain language resource that helps early career musicians see where creative practice and creative research intersect and how to traverse information systems to share their work. As professional musicians and researchers, the authors’ experiences on stage and in academia makes this guide an indispensable tool for musicians aiming to thrive in the digital landscape. 

Session recording: https://archive.org/details/unlocking-the-digital-age 


April 18: Secret Life of Data 

Authors Aram Sinnreich & Jesse Gilbert in conversation with tech scholar Laura Denardis.

In The Secret Life of Data, Aram Sinnreich and Jesse Gilbert explore the many unpredictable, and often surprising, ways in which data surveillance, AI, and the constant presence of algorithms impact our culture and society in the age of global networks. The authors build on this basic premise: no matter what form data takes, and what purpose we think it’s being used for, data will always have a secret life. How this data will be used, by other people in other times and places, has profound implications for every aspect of our lives—from our intimate relationships to our professional lives to our political systems.

Session recording: https://archive.org/details/the-secret-life-of-data 


May 9: Big Fiction 

Author Dan Sinykin in conversation with humanities scholar Ted Underwood.

Dan Sinykin explores how changes in the publishing industry have affected fiction, literary form, and what it means to be an author. Giving an inside look at the industry’s daily routines, personal dramas, and institutional crises, he reveals how conglomeration has shaped what kinds of books and writers are published. Sinykin examines four different sectors of the publishing industry: mass-market books by brand-name authors like Danielle Steel; trade publishers that encouraged genre elements in literary fiction; nonprofits such as Graywolf that aspired to protect literature from market pressures; and the distinctive niche of employee-owned W. W. Norton. He emphasizes how women and people of color navigated shifts in publishing, arguing that writers such as Toni Morrison allegorized their experiences in their fiction.

Session recording: https://archive.org/details/big-fiction 


August 22: Governable Spaces 

Author Nathan Schneider in conversation with author Lilly Irani.

When was the last time you participated in an election for a Facebook group or sat on a jury for a dispute in a subreddit? Platforms nudge users to tolerate nearly all-powerful admins, moderators, and “benevolent dictators for life.” In Governable Spaces, Nathan Schneider argues that the internet has been plagued by a phenomenon he calls “implicit feudalism”: a bias, both cultural and technical, for building communities as fiefdoms. The consequences of this arrangement matter far beyond online spaces themselves, as feudal defaults train us to give up on our communities’ democratic potential, inclining us to be more tolerant of autocratic tech CEOs and authoritarian tendencies among politicians. But online spaces could be sites of a creative, radical, and democratic renaissance. Using media archaeology, political theory, and participant observation, Schneider shows how the internet can learn from governance legacies of the past to become a more democratic medium, responsive and inventive unlike anything that has come before.

Session recording: https://archive.org/details/governable-spaces 


September 24: Reclaiming Fair Use 

Authors & copyright scholars Patricia Aufderheide and Peter Jaszi in conversation with Dave Hansen, executive director of Authors Alliance.

In the increasingly complex and combative arena of copyright in the digital age, record companies sue college students over peer-to-peer music sharing, YouTube removes home movies because of a song playing in the background, and filmmakers are denied a distribution deal when a permissions i proves undottable. Analyzing the dampening effect that copyright law can have on scholarship and creativity, Patricia Aufderheide and Peter Jaszi urge us to embrace in response a principle embedded in copyright law itself—fair use.

Session recording: https://archive.org/details/reclaiming-fair-use 


October 10: Attack from Within

Author Barbara McQuade in conversation with Sarah Lamdan of the American Library Association’s Office for Intellectual Freedom.

American society is more polarized than ever before. We are strategically being pushed apart by disinformation—the deliberate spreading of lies disguised as truth—and it comes at us from all sides: opportunists on the far right, Russian misinformed social media influencers, among others. It’s endangering our democracy and causing havoc in our electoral system, schools, hospitals, workplaces, and in our Capitol. Advances in technology including rapid developments in artificial intelligence threaten to make the problems even worse by amplifying false claims and manufacturing credibility.

In Attack from Within, legal scholar and analyst Barbara McQuade, shows us how to identify the ways disinformation is seeping into all facets of our society and how we can fight against it.

Session recording: https://archive.org/details/attack-from-within 


November 19: The Line 

Author James Boyle in conversation with Kate Darling of the MIT Media Lab.

Chatbots like ChatGPT have challenged human exceptionalism: we are no longer the only beings capable of generating language and ideas fluently. But is ChatGPT conscious? Or is it merely engaging in sophisticated mimicry? And what happens in the future if the claims to consciousness are more credible? In The Line, James Boyle explores what these changes might do to our concept of personhood, to “the line” we believe separates our species from the rest of the world, but also separates “persons” with legal rights from objects.

Session recording: https://archive.org/details/the-line-ai-and-the-future-of-personhood 


December 3: Vanishing Culture

Authors Luca Messarra, Chris Freeland and Katie Livingston in a roundtable discussion.

In today’s digital landscape, corporate interests, shifting distribution models, and malicious cyber attacks are threatening public access to our shared cultural history. When digital materials are vulnerable to sudden removal—whether by design or by attack—our collective memory is compromised, and the public’s ability to access its own history is at risk.

Session recording: https://archive.org/details/vanishing-culture-book-talk

2025 Public Domain Day Remix Contest: The Internet Archive is Looking For Creative Short Films Made By You!

The Cocoanuts – 1929 – The Marx Brothers

We invite filmmakers and artists of all skill levels to celebrate Public Domain Day on January 22, 2025, by creating and uploading 2–3 minute short films to the Internet Archive!

This contest offers a chance to explore and reimagine the creative treasures entering the public domain, including works from 1929—classic literature, silent films, music, and art. Participants are encouraged to use materials from the Internet Archive’s collections to craft unique films that breathe new life into these cultural gems.

Top entries will be awarded prizes up to $1,500, with winners announced during our in-person Public Domain Day Celebration on January 22, 2025, at the Internet Archive headquarters in San Francisco. All submissions will be featured in a special Public Domain Day Collection on archive.org and highlighted in a January 2025 blog post.

Join us in this creative celebration of cultural heritage and timeless art!

Here are a few examples of some of the materials that will become public domain on January 1, 2025:

Guidelines

  • Make a 2–3 minute movie using at least one work published in 1929 that will become Public Domain on January 1, 2025. This could be a poem, book, film, musical composition, painting, photograph or any other work that will become Public Domain next year. The more different PD materials you use, the better!
    • Note: If you have a resource from 1929 that is not available on archive.org, you may upload it and then use it in your submission. (Here is how to do that). 
  • Your submission must have a soundtrack. It can be your own voiceover or performance of a public domain musical composition, or you may use public domain or CC0 sound recordings from sources like Openverse and the Free Music Archive.
    • Note: Sound recordings have special status under Copyright Law, so it’s important to note that while musical compositions from 1929 will be entering the public domain, the sound recordings of those works are not. Sound recordings published in 1924 will enter the public domain. 
  • Mix and Mash content however you like, but note that ALL of your sources must be from the public domain. They do not all have to be from 1929. Remember, U.S. government works are public domain no matter when they are published. So feel free to use those NASA images! You may include your own original work if you put a CC0 license on it.
  • Add a personal touch, make it yours!
  • Keep the videos light hearted and fun! (It is a celebration after all!)

Submission Deadline

All submissions must be in by Midnight, January 17, 2025 (PST)

How to Submit

Prizes

  • 1st prize: $1500
  • 2nd prize: $1000
  • 3rd prize: $500

Judges will be looking for videos that are fun, interesting and use public domain materials, especially those from 1929. They will be shown at the in-person Public Domain Day party in San Francisco and should highlight the value of having cultural materials that can be reused, remixed, and re-contextualized for a new day. Winners’ pieces will be purchased with the prize money, and viewable  on the Internet Archive under a Creative Commons license.

  • Amir Saber Esfahani (Director of Special Arts Projects, Internet Archive)
  • Rick Prelinger (Board Member, Internet Archive, Founder, Prelinger Archives)
  • BZ Petroff (Director of Admin & HR, Internet Archive)
  • Special guest judges

For reference, check out the 2024 Entrants

Vanishing Culture: Preserving Forgotten Music

The following interview with singer-songwriter Elliott Adkins is part of our Vanishing Culture series, highlighting the power and importance of preservation in our digital age. Read more essays online or download the full report now.

Elliott Adkins has a passion for recording old songs that have largely been forgotten. The 23-year-old musician was inspired after finding boxes of sheet music in his parents’ basement when they moved from his childhood home in Atlanta last year. 

“I thought it would be cool if somebody took the time to record these obscure pieces of music that had never been recorded…so I did,” Adkins said. “I put it online really not expecting much of it, but it took on a life of its own.”

Most of the collection of more than 1,000 pieces of music, which were his late grandmother’s, are old enough to be in the public domain. That allows him to remix, record and share the music. Adkins records himself singing and playing the songs on guitar, posting the never-before recordings online. His video of the 1927 song, “Yesterday,” went viral on Instagram and propelled his social media presence.

“I feel like the public domain is often overlooked. It’s a great way to preserve our cultural legacy,” Adkins said. “There are people who had great ideas in the past, but the way our copyright system is set up, it’s hard to expand on those ideas. The public domain allows you to have a certain amount of time to make as much money as possible…then it becomes something greater than yourself. It removes the ego from art.”

Adkins said he’s drawn to these vintage tunes, in part, because he “naturally craves mystery” and likes the challenge. It’s a stretch to figure out the music, understand the lyrics, and put his own twist on the songs, he said. He unpacks the history of the songs and often shares some of their backstory in his videos. 

“I feel like the public domain is often overlooked. It’s a great way to preserve our cultural legacy.”

Elliott Adkins, singer-songwriter

“I find the [old] songs to be a lot more sophisticated than popular music today, with their chord progressions and harmony,” Adkins said. “There’s a blend of genres – early jazz and forms of classical music – that’s very interesting.”

In October, Adkins was invited to perform at the Internet Archive’s annual celebration in San Francisco. He made musical history singing “Tell Her I’ll Love Her,” an English sea song from the early 1800s. It was the first time the song had ever been recorded. Adkins was the closing act for the event, playing his guitar and singing before a live audience—and getting the crowd, which surpassed 400 people, to sing along.

“It was great. I could tell the audience was primed for anything I was going to throw at them,” said Adkins. “It was nice to have such an attentive audience. There was an ideology attached to what I was performing, a mission behind it, and those people were very much ready for that.”

Tell Her I’ll Love Her (audio)
The audio version of “Tell Her I’ll Love Her” is available under CC0, meaning you can “copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.” DOWNLOAD NOW

Adkins, who also writes original alternative country and Americana music, said he’s become fascinated with the community of music preservationists he’s encountered since venturing into this niche of music. He’s met people old and young, online and in the Atlanta area who are committed to reviving forgotten songs.

To research music, Adkins uses the Internet Archive and the Discography of American Historical Recordings Database from UC Santa Barbara.

Staff at the Internet Archive spotted Adkins on Instagram and reached out to invite him to participate in the October event. Since much of his material he uses is in the public domain, he’s said he’s a “big fan” of the Archive and was happy to collaborate on the project.

Download the complete Vanishing Culture report.

A few songs were considered before the decision was made to go with, “Tell Her I’ll Love Her.” Adkins worked on the arrangement, wrote new lyrics, and said he practiced it for 30 minutes every day leading up to the performance in San Francisco.

The feedback after the performance has been overwhelmingly positive and Adkins said he’s picked up new followers on social media as a result of the event. 

“It’s a way to get in touch with the past,” Adkins said. “Most people, especially my age, are so unaware of what music sounded like 100 years ago. It’s really cool to see what songs did make it, what songs didn’t.”

Adkins said he enjoys thinking of new ways to present the old tunes.

“I see music as something that is constantly trying to be pushed forward,” he said. “I think you can grab a lot more people if you adjust it for the modern audience.”

At the end of his Internet Archive performance, Adkins led the audience in singing additional verses to the sea song that he wrote just for the event:

Here we all are gathered to sing the same sea song
A song that may be old, but is not yet gone
The past isn’t dead ‘til it can’t be read
So, celebrate with us, speak of days of yore
Here we all are gathered to maintain what came before
So, it isn’t just my ghost that can visit this sweet shore

Here we all are gathered to sing the same sea song
A song that may be old, but is not yet gone
The past isn’t dead ‘til it can’t be read
‘cause some will remember though the world may forget
Here we all are gathered to sing the same sea song
(So, thank y’all very much for singing right along)